Showing posts with label Bavaria. Show all posts
Showing posts with label Bavaria. Show all posts

05 November 2025

Theft at Dillingen an der Donau

by Marc Masurovsky
Map of Dillingen an der Donau


The final Allied military push against Nazi Germany unfolded in March 1945 when American troops crossed the Rhine river, which acts as a natural border with France and Belgium, pushing towards Berlin in a mad race to reach the German capital. Likewise, the British forces broke through further up north and the Soviets entered Germany from the East. The race was on to reach Berlin at all cost.

On Sunday 22 April 1945, an American Sanitary Unit reached Dillingen an der Donau and set up its quarters at the Lamm Brewery, owned by Mr. Probst. The brewery’s cellar contained 14 crates from the Historic Museum of Dillingen which had been left there for safekeeping against aerial bombings. The crates stored objects that had been extracted from an ancient Alemanic cemetery nearby. 

Seal of the Lamm Brewery in Dillingen


After the Americans left, Mr. Probst, the brewery’s owner, resumed control of his business and, upon inspection of the cellars, noticed that 6-8 crates from the Historic Museum had been broken into and their contents scattered about the cellar floor. He repacked the crates not knowing if anything had gone missing from them.

On 20 May 1946, Robert Roeren, a Bavarian official responsible for the protection of cultural monuments, went to Dillingen to survey the former cemetery of Schreitsheim [Schretzheim]. He observed the absence of numerous items and concluded that these items had been stolen. Furthermore, the looting of the Museum in Dillingen had threatened the integrity of archaeological digs which involved 640 graves at Schreitsheim [Schretzheim] and some 400 “Alemanic” burial sites uncovered near Dillingen an der Donau. Among the stolen objects were bronze pieces from the Roman era and precious incised silver objects. These losses included “valuable gold and silver objects” which had been extracted from 11 graves explored during archaeological expeditions in and around Dillingen for the benefit of the Historic Museum of Dillingen.

In June 1946, Mr. Probst recounted the incident in the cellar to a local high school headmaster named Menz. The headmaster recruited some of his students to inspect the crates, draw up an inventory and return them to the Historic Museum. Later in the summer, Mr. Roeren conducted his own audit of the losses to assess the damage inflicted to the cultural heritage of the area.

The only hope for recovering these items rested with the US army. But because of the massive departure of American military personnel returning to the United States who had participated in the March 1945 campaign against Germany, it was unlikely that any investigation into looting by American soldiers and officers would produce any tangible results.

 
Inventory of missing items

Sources:

Memo from OMGB Capt. Edwin Rae, Chief of MFA&A Section, Restitution Branch, 30 July 1946, RG 260 M1921 Roll 14, NARA (National Archives, College Park, MD, USA).

Major L. B. LaFarge, chief of MFA&A Section, OMGUS, to MFA&A Division of OMG Bavaria, 22 July 1946. RG 260, Educational Division, Box 236, 5347-1, NARA (National Archives, College Park, MD, USA).

Reports submitted by Captain Edwin C. Rae, chief, MFA&A Section of OMGB, regarding looting at Wittislingen, 30 July 1946 and 5 September 1946, RG 260, Educational Division, Box 236, 5347-1, NARA (National Archives, College Park, MD, USA).

Report by Dr. Friedrich Wagner, Munich, 3 août 1946, ‘Disappearance of items discovered during excavations of Alemanic graves in Schreitseim [Schretzheim], Dillingen district, owner: Historischer Verein Dillingen, RG 260, Educational Division, Box 236, 5347-1, NARA (National Archives, College Park, MD, USA).

RG 260 M1921 Roll 14, NARA (National Archives, College Park, MD, USA).

Photo of Lamm Brewery seal courtesy of https://www.ebay.com/itm/205638892105

Map courtesy of Google Maps.

26 June 2025

French masterpieces for sale in postwar Germany

by Marc Masurovsky

From a business standpoint, art dealers do not run charities. They buy, sell, trade works and objects of art to make money, and, hopefully, lots of it. The dealer’s instinct is—you guessed it—to look for opportunities, expand networks of informants and clients, make deals, and jump on them before the competition does. As a result, the oftentimes legendary rivalries that arise between art dealers shape and transform the art world as well as the business of art. Every now and then, their acquisitions and sales influence the taste of current and future generations. A thrilling wave to ride but one that comes with a heavy price.

For those dealers who are willing to go all the way, they may assign ethics and History to a backseat in order to unleash their thirst for acquiring unique, expensive and (maybe) transformative objects wherever they can be found hopefully at a low enough price. During the Nazi era (1933-1945), dealers made a pact with the Devil by ignoring the heinous nature of hate-based political systems rising across the European continent and elsewhere. They saw how the discriminatory policies unfurled by the New Nazi/Fascist Order could generate immense opportunities for them as a result of the involuntary disgorgement of valuable works of art on the art market by the victims of Nazi/Fascist violence and persecution.

The dealers, collectors, agents, cultural officials and brokers who invested themselves in acquiring and selling Nazi victims’ cultural property did so willingly, eyes open and focused on the prize. And it so happens that even dealers who fell victim to the rapacity of Nazis’ covetous seizure of their inventories between 1933 and 1945 also saw opportunities for themselves and their colleagues as the genocidal dust of the Nazi-driven Holocaust was barely settling across war-torn Europe. Even if their desire to acquire such works might have been guided by the best of intentions…as art dealers.

To wit, Paul Rosenberg, an iconic figure of the international art world in Europe and the United States, had a keen visionary eye for high-quality art. He exercised his skills with brilliance on both sides of the Atlantic. On December 12, 1946, Rosenberg penned a two-page proposal to the Foreign Division of the US Treasury Department in Washington, DC, regarding the disposition of works of art located in the US zone of occupation of Germany (viz., Bavaria) which belonged to impoverished collectors. Here are the relevant portions:

“There are, in Germany, many great art collections…which include internationally famous French paintings…there might be a possibility that the owners of these paintings, due to lack of funds, might be interested in selling their collections. [Some] are celebrated masterpieces…We, as art dealers, are interested in these pictures…If this is possible, many of these great masterpieces would be acquired..by American collectors and…be donated to American museums or artistic institutions, thereby adding to their greatness.”

The “we” refers to a group of art dealers and their galleries based in New York who shared Rosenberg’s feelings and agreed to contact the US government and encourage the US military occupation authorities in Germany to enact policies that would loosen up export restrictions from the former war zone and allow art dealers and collectors to resume business as usual. The desire to “liberate” heaps of cultural objects from the shackles of Allied military policy and (re)fuel the engine of the international art market appears to be the main motivator behind this proposal. It is unclear whether this proposal was accepted, but it would not have sat well with American cultural officials who were working around the clock in Washington and in liberated Europe to ensure that art collections and individual objects located in liberated areas would be prioritized for restitution and not be offered for sale.

 In June 1946, the celebrated Roberts Commission committed harakiri and put itself out of business, confident that, to a large extent (although the proof for this has always been elusive) its leaders opined that very little looted art had entered the United States.  Before doing so, almost to legitimize its own demise, the Roberts Commission had successfully revoked Treasury Directive TD 51072, a key instrument in the fight against illegal imports of looted property into the United States. The directive was issued on June 8, 1944, two days after D-Day, under sections 3(a) and 5(b) of the Trade with the Enemy Act. Its aim was to restrict the importation into the US of any art object with a value exceeding 5000 dollars or is of artistic, historic and scholarly interest irrespective of monetary value.” The method of restriction was sequestration of objects falling under the aegis of the Directive. The Roberts Commission's job was to review the documentation accompanying these sequestered objects and either approve or refuse their release under a license issued by Treasury.

It should come as no surprise that Paul Rosenberg's proposal came at a time when some parts of the US government were no longer focused on restituting victims' property but on returning to business as usual as quickly as possible even if it meant releasing art objects from Europe into the United States with no filters and no way of vetting imports for evidence of loot.

Source:

Paul Rosenberg to Foreign Department, US Treasury Department, Washington, DC, 12 December 1946, 2 pages, Enclosure III, Box 28, Lot 62D4 (Ardelia Hall files), RG59, NACP, College Park, MD.

20 July 2023

The Auerbach Case: Part Four-Other views of Dr. Philipp Auerbach

by Marc Masurovsky

Benjamin Ferencz at the IMT, Nurnberg

Benjamin Ferencz, former prosecutor at the International Military Tribunal of Nürnberg:

“One flamboyant German official, Philip Auerbach, in charge of compensation claims in Bavaria, was quite a bizarre figure. It was rumored that he had been interned by the Nazis because he was tainted by Jewish blood. It was known that he paid little attention to formalities. I always considered him neurotic. On several occasions he sought me out for a donation from the JRSO for some strange scheme he concocted. I always refused. I recall a detailed plan he had for shipping Hitler’s stolen art works to the United States for exhibitions in museums that would pay well for the privilege. The money would then go back to the compensation fund. He had the name of the ship, the museums, and the amounts payable. I was not really surprised when, after I checked it out, I learned that it was all a figment of his imagination. When he and the head of a local Jewish community announced that they were establishing a Jewish Restitution Bank to receive deposits from concentration camp victims, I immediately cabled Jewish organizations throughout the world to beware. Exactly one year later, the police closed down the so-called bank; the finances of the Auerbach office were under investigation, and he committed suicide. It was a crazy time with crazy people doing crazy things.”

Le Monde, 19 August 1952, “Suicide of a former Bavarian commissioner on refugee matters provokes general consternation. »

Since Bavaria refused for a long time to elevate the Compensation and Restitution Office and its Director to a legally recognized status, Auerbach was not under any parliamentary oversight and did not benefit from a regular budget. He had to find another way to raise compensation funds using shortcuts and indirect pathways. “He reveled in using expedients, he had a predilection for shady and complex dealings, which allowed him to assert his authority and to engage in opaque and interwoven financial arrangements which would get him into a heap of trouble. No one contests these facts.”

Conclusion:

Was Dr. Philipp Auerbach a victim or a criminal? Did he concoct his outlandish scheme to sell off confiscated Jewish paintings acquired for Hitler and Goering for the purpose of enriching himself? Or was it more of a case of using whatever means necessary to ensure that Holocaust survivors would receive their due, regardless of the legality and reasonableness of his tactics. As Benjamin Ferencz said, “it was a crazy time with crazy people doing crazy things.”

One thing is certain: the Auerbach scandal exposed many of the fault lines that have since haunted the international debate over what to do with unclaimed Jewish cultural assets. Since Auerbach’s death in 1952, Jewish groups have never ceased to look at “unclaimed Jewish cultural assets” as fodder to be sold and monetized for the benefit of Holocaust victims’ heirs. It still remains that nothing is unclaimed unless you declare it to be so. And, if you do, under whose authority and on what grounds?

Sources for Part One-Part Four

Primary sources

National Archives, College Park, MD

Indemnisation des victimes du nazime, 14 mars 1949, RG 59, Lot 62D4, Box 26, NARA

Eric Gration, secrétaire du bureau du Haut Commissariat américain en Allemagne, à George Eric Rosden, 21 janvier 1950, Confidential, 007 Fine Arts, USACA, NARA; [Faison à Hanfstaengl, 11 juin 1951, RG 59 Lot 62D 4, Box 17, NARA

S. Lane Faison, Jr., HICOG, Prop. Div. OEA, Collecting Point Munich to Dr. Eberhard Hanfstaengl, general manager, Arcisstrasse 10, Munich, 11 June 1951, Ardelia Hall Collection, RG 59 Lot 62D4 Box 17, NARA.

Archives du Ministère des Affaires Etrangères et Européennes (AMAE), La Courneuve, France

Doubinsky to Colonel Bonet-Madry, head of the French restitution mission, Frankfurt, 25 May 1949, RA 237, AMAE 
Doubinsky to Valland, 28 October 1949, RV 237, AMAE
Rose Valland to Munsing, 10 november 1949, Berlin, RV 237, AMAE
Munsing to Valland, 13 February 1950, RV 237, AMAE

Other archives

Auerbach's rich correspondence and other personal material from the years 1946 to 1951, which are stored in Bavaria's Hauptstamtsarchiv, are now open to researchers. The Staatsarchiv in Munich holds the complete court records of the April 1952 trial.

Books, journals and newspaper articles

Brady, Kate
https://www.washingtonpost.com/history/2022/06/26/schloss-elmau-castle-g7-germany/

Brenner, Michael and Kronenberg, Kenneth
https://www.scribd.com/book/392107133/A-History-of-Jews-in-Germany-Since-1945-Politics-Culture-and-Society

Ferencz, Benjamin B.
https://benferencz.org/stories/1948-1956/implementing-compensation-agreements/

Klare, Hans Hermann
https://www.jmberlin.de/en/reading-auerbach

Ludi, Regula
https://www.cambridge.org/core/books/abs/reparations-for-nazi-victims-in-postwar-europe/germany/667D60BE8D2B06D1D50BC2B50D94D7CF biblio

Ludyga, Hannes
https://buchhandlung-buchner.buchkatalog.at/philipp-auerbach-1906-1952-9783830510963

Sabin, Stefana
https://faustkultur.de/literatur-buchkritik/opfer-und-taeter/


Other links
https://www.wikiwand.com/en/Subsequent_Nuremberg_trials
https://www.jta.org/archive/philip-auerbach-commits-suicide-act-due-to-verdict-of-german-court
https://nataliereardon.weebly.com/victims.html
https://www.lemonde.fr/archives/article/1952/08/19/le-suicide-de-l-ancien-commissaire-bavarois-aux-refugies-provoque-une-grande-emotion-en-allemagne_1999225_1819218.html
https://www.jewishvirtuallibrary.org/philipp-auerbach
https://timesmachine.nytimes.com/timesmachine/1952/08/17/110062774.html?pageNumber=1