Showing posts with label Neuhaus am Schliersee. Show all posts
Showing posts with label Neuhaus am Schliersee. Show all posts

05 December 2022

The disappearance of Raphael's Portrait of a Young Man


Portrait of a Young Man

by Marc Masurovsky

What happened to Raphael’s Portrait of a Young Man which belongs to the world-renown collection of the Krakow-based Czartoryski family? The now-iconic painting (the poster child for WWII plundered “treasures”) pulled off a world-class vanishing act in the early days of May 1945 as US troops closed in on the South Bavarian compound of Hans Frank, Governor-General of German-occupied Poland.

The Czartoryski family, one of the flowers of Polish nobility, owned palatial residences and estates in Krakow, Goluchów and Sieniawa (Poland). Since 1893, the Goluchów Castle served as a Museum of the Czartoryski collection. Many of the family’s artistic possessions were stored and displayed there. They included close to 5000 art objects and antiquities as well as several hundred Old Master paintings. The bulk of the collection was transferred to Sieniawa for protection. Soon after the Nazi invasion of Poland in September 1939, German troops reached the Czartoryski estates and seized their contents. To make matters worse, a local mason had betrayed the location of the hidden Czartoryski “treasury.”

 
Hans Frank

In October 1939, Kajetan Mühlmann, who had played a major role in the plunder of cultural treasures in German-occupied Poland, brought to Berlin choice pieces from the confiscated Czartoryski collection—works by Raphael, Leonardo da Vinci and Rembrandt. In late November, at Martin Bormann’s urging, Hans Posse, the director of Hitler’s Linz museum project, requested the transfer of the best pieces from the Czartoryski collection to the Linz museum. It fell on deaf ears. The paintings returned to Krakow only to be shipped back to Berlin in 1942, this time on orders from Field Marshal Hermann Goering. However, the Nazis, fearing for the safety of the works due to Allied bombardments, opted to send the works back to Krakow, where they were stored at the Wawel Castle. 

Wawel Castle, Krakow

From August 1944 to January 1945, in the face of an imminent offensive by the Soviet Red Army, a gradual evacuation began of Hans Frank’s Krakow HQ and the many plundered art objects and paintings under his control. The main evacuation point was the estate of Count Manfred von Richtofen in Seichau (Sichów), Silesia, which the Auswärtiges Amt [German Foreign Office] had requisitioned for use by Hans Frank, his staff and the German Army. At the outset, a small number of Frank’s aides had appeared at Seichau (Sichów). It was not until the surrender of Krakow that the largest contingents overtook von Richtofen’s castle. He confirmed that Frank and his top aides had remained in the main house for only a few days until their “sudden” departure on 23 January 1945. In other words, Frank did not reach Seichau (Sichów) until mid-January 1945. 

Seichau Castle, Silesia
A German official by the name of Gross indicated that in the months following the requisition of von Richtofen’s estate, there was a continual movement of “lorries” which carried ‘objets d’art’ as well as“foodstuffs and large quantities of alcohol.” He noted that, after the departure of the Frank party on 23 January 1945, the rooms that they had occupied at Seichau (Sichów) were in “complete chaos,” a statement confirmed by Fraulein Liselotte Freund of Seichau Castle. (Gross and Liselotte Freund supplied separate statements to an SS investigative officer on 2 February 1945).

Frau von Wietersheim’s Muhrau estate, 14 km from Seichau, served as a secondary evacuation point. Wilhelm Ernst von Palézieux, Hans Frank’s chief of the ‘Referat für Kunst’ (Art Section) and Eduard Kneisel, an Austrian-born restorer, were responsible for ensuring the safety of the plundered treasures from the Czartoryski and other noble Polish collections. They watched over the thousands of art works and objects in their custody at both estates.

It took the greater part of a month for the various convoys carrying Hans Frank and his many staff members to reach Neuhaus am Schliersee in southern Bavaria where Hans Frank had an estate. Neuhaus am Schliersee became the final destination for the Polish looted cultural treasures under Frank’s control, including those that belonged to the Czartoryskis. On 17 February 1945, Hans Frank informed Dr. Lammers, chief of the Reich Chancellery, that the last convoys had reached Neuhaus.

According to London-based Count Zamoyski, one of the heirs to the Czartoryski estate, the Portrait of a Young Man by Raphael was stored at a villa serving as a residence for Wilhelm Ernst von Palézieux in the immediate vicinity of Hans Frank’s compound. Eduard Kneisel confirmed this fact in subsequent years and testified that he had not conducted any restoration work on the painting but that it had been removed from its massive crate.

The “vanishing”

In the first week of May 1945, American military units converged on the Bavarian compound of Hans Frank at Neuhaus am Schliersee. They searched Frank’s office in the “Bergfrieden” chalet, which was near the “Schoberhof”, his main residence. According to an American miliary investigative report, the troops conducted only a superficial search of the “Schoberhof.” The MFAA took nearly a year to file a report on the circumstances surrounding Hans Frank’s capture and the disappearance of the Raphael. The report acknowledged that US troops had not conducted an extensive search of the “Schoberhof.”

On 4-5 May 1945, American troops located and arrested Hans Frank as he tried to escape with members of this retinue. Frank made a failed attempt at suicide on 6 May 1945. US troops recovered most of Hans Frank’s loot. However, the Portrait of a Young Man by Raphael vanished into thin air either right before the arrival of American troops or under their very noses while they were overtaking Neuhaus. It’s anyone’s guess where the painting is currently stashed. 

Primary sources:

Document 3614-PS, Evacuation of Cracow, UConn Archives and Special Collections
https://collections.ctdigitalarchive.org/islandora/object/20002%3A1503#page/8/mode/2up]

Frank to Lammers, Document 3614-PS, Office of US Chief Counsel, IMT

undated letter from Count von Richtofen to an Ortsgruppenleiter of the NSV [National Socialist Welfare Organization]

"The loot from Poland," unsigned summary. RG 59, Lot 62D-4, Ardelia Hall Collection, Box 9, NARA.

Ardelia Hall to Count Zamoyski, 15 December 1960, Lot 62D-4 Ardelia Hall Collection, Box 13, NARA.

Walther Bader interrogation by Edgar Breitenbach and Dr. Roethel, 24 June 1947, RG 260 Prop. Div., Ardelia Hall, MCCP, Box 479, NARA.

www.Fold3.com
RG 239 M1944 Reel 127 NARA. 

Photo credits

Hans Frank
https://cdn.britannica.com/44/133344-050-54791C79/Hans-Frank-1939.jpg

Kajetan Mühlmann
https://www.lexikon-provenienzforschung.org/en/muhlmann-kajetan

Wawel castle
https://www.dreamstime.com/stock-photos-old-style-photo-royal-wawel-castle-cracow-image14871673

Reviewed and edited by Saida S. Hasanagic

08 November 2022

Dangling participles



By Marc Masurovsky

There are so many mysteries and unresolved issues rooted in the twelve-year reign of the National Socialists (30 January 1933-9 May 1945) that we cannot keep up with them. The research is tedious and it involves searching for evidence in multiple archives on both sides of the Atlantic. Costs, time, resources often bring exciting research projects to a grinding halt. Maybe some enterprising and courageous historians and sleuths will resolve some of these open cases, sooner than later, so that we can close them for good for the sake of posterity and historical truth. 

Here are some of these “dangling participles” with a special focus on the Greater German Reich and the territories it occupied or annexed:

Generally speaking:

-where are the contents of the studios and residences of artists which were systematically ransacked and plundered across continental Europe? Who were they? Where did they live and work? It’s too easy to say that everything was destroyed or that they were unimportant. That’s the lame way of discouraging efforts to uncover their fate.

1940-1941

France

-where are the original inventories of objects looted in Paris from Jewish owners and then transferred to the Louvre and the Jeu de Paume? The earliest extant inventories begin in mid-1941. Their discovery will fill major gaps in our understanding of what was looted, where, when, by whom, and from whom in German-occupied France. One credible lead is that these inventories may be sitting in a London archive since British forces liberated Tanzenberg, the ERR depot that housed many libraries, archival materials, and administrative files produced by ERR officials in occupied countries. Inventories drawn up by the ERR in France were found at Tanzenberg.

1942

France
Jose Hessel, by Vuillard





-what happened to Jos Hessel’s collection? Although he and his wife died months apart between 1941 and 1942, there are no archival traces of the contents of the Hessel collection.








1943

France


Jeu de Paume, Paris






-how many “degenerate” works of art survived the purge at the Jeu de Paume in summer of 1943? We counted 676. None survived according to Rose Valland, although about 20 have been restituted since the end of WWII. Where are the others?










1944

France


Chateau de Rastignac, Dordogne, France



-were any works “rescued” from the Castle of Rastignac, country home of the Bernheim-Jeune family near Bordeaux before SS troops set the castle ablaze on 30 March 1944?





April-May 1945

Nikolsburg/Mikulov

Present-day castle of Nikolsburg/Mikulov



-how many looted objects were brought to the castle of Nikolsburg (now Mikulov) in north-central Czechoslovakia) between fall of 1943 and early 1945? How many survived the blaze of April 1945 triggered by severe fighting between Soviet and German troops? Of these, how many remained in postwar Czechoslovakia? How many went to the Soviet Union?




Munich


Inside the Führerbau, Munich


-where are the 1000+ looted paintings stored at the Führerbau in Munich which were stolen by unknown parties in the closing hours of April 1945 while American troops were liberating the city?







Berlin
Flakturm, Berlin

-did any items survive the fires at the Flakturm (Berlin zoo) in the early hours of May 1945? Did the Soviets take them?


Neuhaus am Schliersee (Southern Bavaria)


Hans Frank residence, Schoberhof, Neuhaus




-what exactly happened at the Hans Frank compound in early May 1945 at Neustadt south of Munich? We know that unknown parties spirited away the “Portrait of a Young Man” by Raphael and, since then, it was never to be seen again.







Austria

--what happened to the Judaica stored inside the so-called “Hungarian Gold Train” after US forces intercepted it in May 1945? The only credible lead is that the Judaica may have been transferred “erroneously” to Vienna.

Yugoslavia


Ante Topic Mimara


-is there a detailed inventory of the works and objects purloined by Ante Topic Mimara? where did these end up?

Soviet Union

-where are the inventories for the so-called “Trophy Art” removed by Soviet troops from the territories that they freed of Nazi/Fascist forces? Will the Russians ever share them? Will we ever see these objects? Or are they rotting away in dank cellars, mine shafts, monasteries, barracks and other improvised storage areas scattered across the former Soviet Union?

France

-what happened to the more than 4000 works of art abandoned by the Nazis at the Jeu de Paume shortly before Paris was liberated? Did the French authorities inventory them? How many of these works were produced by Jewish artists?