Showing posts with label Bundesarchiv. Show all posts
Showing posts with label Bundesarchiv. Show all posts

13 November 2019

Torso of General Psamtik, Governor of Upper Egypt

by Marc Masurovsky

MA-AEGY 1, front

MA-AEGY 1
This Torso is one of the more stunning Egyptian antiquities looted by the Nazis and their French collaborators from Jewish collectors living in Paris.

Described by the Nazis as "A torso of a man (Männlicher Torso)", it was inventoried at the Jeu de Paume museum in central Paris on 1 October 1943 as one of many objects confiscated from Jewish owners under the aegis of Möbel-Aktion. The person responsible for the description of this torso was Ernst Adalbert Voretzsch, a German archaeologist and specialist with the Einsatzstab Reichsleiter Rosenberg (ERR) in Paris. He actually oversaw the description of all ancient Egyptian antiquities rounded up during M-Aktion in the Paris region in 1943. 
ERR card for MA-AEGY 1


The ERR, when it inventoried the Torso as MA-AEGY 1, had originally mis-identified it as dating from the 13th dynasty in an earlier inventory dated 16 September 1943. Indications on the inventory show that the item had also been miscast as an “Asian” object. Lots of confusion at the Jeu de Paume. Apparently, there were no Egyptologists on hand, although Paris had its fair share of experts still on duty during the German occupation period. The Torso was ultimately dated to the 26th dynasty. 
Back of ERR card
ERR inventory page for MA-AEGY 1


mention of torso in Bernheim-Jeune restitution file
Shortly therafter, the ERR packed up the torso and sent it to one of its depots in Seisenegg, near Amstetten (Austria) on 18 November 1943. The looted objects stored at Seisenegg were eventually repatriated to France. As a M-Aktion piece, it was not obvious to identify the rightful owner. But eventually, the torso was restituted on 14 June 1950 to Jean Bernheim-Jeune, the heir of the Bernheim-Jeune gallery and inventory.

Fast forward 60 years…

On 5 June 2013, the Torso came up for sale in a Paris auction house, Boisgirard-Antonini, as a 30th dynasty piece, thus contradicting earlier appraisals of the object performed by French and German specialists. It allegedly broke a record. The Torso was then shown at TEFAF-Maastricht Art Fair in March 2014. Throughout this period, questions about the status of the object came up. Although the Paris auction house was aware that the object had been looted during WWII, those showing the piece at TEFAF wanted to be certain about its entire history.

The Paris-based Bernheim-Jeune family of art dealers and collectors had owned the Torso in the early part of the 20thcentury. The question then became: did they own the piece at the time of its confiscation by Möbel-Aktion agents?

Further research was necessary to ascertain that, in fact, the victim was Bernheim-Jeune. The family’s own restitution claim and recovery documents confirmed their ownership of the piece. The Torso had been on view atop a fireplace mantle at the Bernheim-Jeune residence in Paris up to the time of its seizure. The complication resided in the fact that those responsible for the seizure were French Fascists who had taken over the Bernheim-Jeune residence. The Torso was transferred at some point to the Nazi authorities in Paris and catalogued as a Möbel-Aktion piece. All of this makes little sense but the events speak for themselves.

This story of a restituted object being sold on the art market decades after its confiscation and restitution attests to the diligence exercised by those who handled the Torso in 2013 and 2014 in ascertaining the proper facts surrounding the object’s history prior to selling it.

Sources:

Bundesarchiv B323 series, Koblenz

Publications where the Torso appeared:
L'Art moderne et quelques aspects de l'art d'autrefois: cent-soixante-treize
planches d'après la collection privée de MM. J. & G. Bernheim-Jeune: poèmes de
Henri de Régnier, I-II, Galerie Bernheim-Jeune, Paris, 1919, p. 5 (vol. I),
pl. 173 (vol II).

J. J. Clère, `Autobiographie d'un général, gouverneur de la Haute Égypte à
l'époque saïte', Bulletin de l'Institut Français d'Archéologie Orientale, 83,
1983, pp. 85-100, pls IX-XII.

H. de Meulenaere, `Un général du Delta, gouverneur de la Haute Égypte',
Chronique d'Égypte: Bulletin périodique de la Fondation Égyptologique Reine
Élisabeth, 61, 1986, p. 203-210.


Shorter, The Journal of Egyptian Archaeology, 11, 1925, pp. 78-79.
H. Kees,`Der angebliche Titel "Vorsteher der südlichen Türöffnung (von
Elephantine)"', Zeitschrift für ägyptische Sprache und Altertumskunde, 70,
1934, p. 86, n. 5.


E. Otto, Die biographischen Inschriften der ägyptischen Spätzeit, Leiden,
1954, p. 92 and p. 128.


Wörterbuch Die Belegstellen, II-V, 1937-1953 where the inscription is cited
several times; for the references, see Clère op. cit., p. 86.







04 May 2011

Now open for business: The “International Research Portal” on Nazi-era looting of objects of art

International Research Portal for Records Related to Nazi-Era Cultural Property
Source: NARA
A newfangled “International Research Portal” has been launched to facilitate archival research on Nazi looting of art objects across Europe between 1933 and 1945. An official ceremony is scheduled to take place in Washington, DC, on May 5, 2011. The launch of the portal will be followed by an international conference on provenance research attended for the most part by museum professionals, provenance researchers, art experts.  Except for Lynn Nicholas and Patricia Grimsted who bring to the May 6-7, 2011, Provenance Research Conference, their respective focus on plunder of cultural objects, archives, and books, noted absences are those of pioneers of looted art research like Willi Korte and Konstantin Akinsha who blazed trails in the untangling of complex webs of illicit ownership of art objects in continental Europe.  Such is life...

The creation of this Portal is unprecedented.  It brings together through a common virtual gateway the archival holdings of the Bundesarchiv in Germany, the National Archives in the United States, the National Archives of the United Kingdom, the archives of the Ministry of Foreign Affairs of France, the Central State Archive of Supreme Bodies of Power and Government of Ukraine (TsDAVO), the State Archives of Belgium, the Munich Central Collecting Point and Linz databases, the Database of Art Objects at the Jeu de Paume, and the victims’ database of the “Memorial de la Shoah” in Paris, France.

Co-sponsors of this international effort include the Claims Conference and the Commission for Looted Art in Europe.

Of course, reality sets in quickly.  If one clicks on the link to the London-based Commission for Looted Art in Europe, the page that pops up offers us a link to the Nazi-Era Cultural Property Project.  Click on Search and one is prompted to enter search terms from which to retrieve documents. I typed “Jeu de Paume” and received 9 hits. I clicked on a prompt to obtain more details about the documents and at the bottom of the new page, I am prompted to place an order for the document in exchange for a fee. Sigh! The cost of doing business, I presume. This is the new age when research is no longer free.

The best part of the Portal  is the access to finding aids from 6 different archives and at least three looted art databases—Jeu de Paume, Munich Central Collecting Point and Linzmuseum—all essential tools for conducting complex research projects on Nazi-era plunder of cultural objects.

Who should get credit for all of this? By its very nature, the “International Research Portal” is the fruit of a lengthy negotiation between archives, governments, and non-profit organizations, in a half-dozen countries. The next step is to make sense of this overwhelming mass of records and to provide coherent, sensible road maps on how best to use them.

Please check out the research portal at http://www.archives.gov/research/holocaust/international-resources/.

03 May 2011

An Interactive sneak peek at the schedule for May 6-7, 2011, World War II Provenance Research Seminar in Washington, DC

A New Era of Collaboration and Digitized Resources: 
World War II Provenance Research Seminar
May 6-7, 2011

United States National Archives
700 Pennsylvania Avenue Northwest
Washington, D.C. 20408-0002
(Please use the Special Events Entrance, 
Constitution Avenue between 7th and 9th Streets, NW)

Friday, May 6

9:30 – 10:15 REGISTRATION AND CONTINENTAL BREAKFAST

MORNING SESSION: INTERNATIONAL PORTAL FOR NAZI-ERA CULTURAL PROPERTY RECORDS

10:15 – 11:15 WELCOME

James Hastings, United States National Archives, Washington, DC
Kaywin Feldman, Association of Art Museum Directors

INTRODUCTORY REMARKS

Jim Leach, National Endowment for the Humanities, Washington, DC
Lynn H. Nicholas, Independent Scholar, Washington, DC

11:15 – 12:15 PRESENTATIONS

Rebecca Warlow, United States National Archives
Hans-Dieter Kreikamp, Federal Archives, Berlin
Anne Webber, Commission for Looted Art in Europe, London
Kyrylo Vyslobokov, Archival Information Systems, Kyiv

12:15 – 1:00 DISCUSSION MODERATED BY

Nancy H. Yeide, National Gallery of Art, Washington, DC
Victoria Reed, Museum of Fine Arts, Boston

1:00 – 2:00 LUNCH ON YOUR OWN

AFTERNOON SESSION: INTERNATIONAL RESOURCES AND COOPERATIVE PROJECTS FOR NAZI-ERA CULTURAL PROPERTY RECORDS

2:15 – 3:00 PRESENTATIONS

Patricia Kennedy Grimsted, Harvard Ukrainian Research Institute, Cambridge
Marc Masurovsky, Independent Historian, Washington, DC
Wolfgang Schöddert, Ferdinand Möller Archive, Berlinische Galerie, Berlin

3:00 – 3:15 BREAK

3:15 – 4:00 PRESENTATIONS

Andrea Baresel-Brand, Coordination Office for Lost Cultural Assets, Magdeburg
Uwe Hartmann, Bureau for Provenance Investigation and Research, Berlin
Christian Fuhrmeister, Zentralinstitut für Kunstgeschichte (Central Institute for Art History), Munich

4:00 – 4:30 DISCUSSION MODERATED BY

Jane Milosch, Smithsonian Institution, Washington, DC
Christian Fuhrmeister, Zentralinstitut für Kunstgeschichte

6:00 – 8:00 RECEPTION: FREER GALLERY OF ART, SMITHSONIAN INSTITUTION

Please use the Jefferson Drive entrance, located at 12th Street SW

WELCOME

Richard Kurin, Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution
Julian Raby, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution

Saturday, May 7

10:00 – 10:30 CONTINENTAL BREAKFAST

MORNING SESSION: ARCHIVAL RESOURCES FOR PROVENANCE RESEARCH, PART I

10:30 – 10:45 INTRODUCTORY REMARKS

Louisa Wood Ruby, The Frick Art Reference Library, New York

10:45 – 11:30 PRESENTATIONS

Jona Mooren, Nederlandse Museumvereniging (Netherlands Museums Association), Amsterdam, and Rijksbureau voor Kunsthistorische Documentatie (Netherlands Institute for Art History), The Hague
Marisa Bourgoin, Archives of American Art, Smithsonian Institution
Michelle Elligott, Museum of Modern Art Archives, New York

11:30 – 12:15 DISCUSSION MODERATED BY

Laurie Stein, Smithsonian Institution
Sarah Kianovsky, Harvard Art Museums, Cambridge

12:15 – 1:30 LUNCH ON YOUR OWN

AFTERNOON SESSION: ARCHIVAL RESOURCES FOR PROVENANCE RESEARCH, PART II

1:45 – 2:30 PRESENTATIONS

Christian Huemer, Getty Research Institute, Los Angeles
Megan Lewis, United States Holocaust Memorial Museum, Washington, DC
Anneliese Schallmeiner, Commission for Provenance Research, Vienna

2:30 – 2:45 BREAK

2:45 – 3:30 NEW PROJECTS AND RESOURCES

Helen Schretlen, Nederlandse Museumvereniging
Dorota Chudzicka and David Hogge, Freer Gallery of Art and Arthur M. Sackler Gallery
Nancy H. Yeide, Kress Collection Provenance Research Project, National Gallery of Art

3:30 – 4:15 DISCUSSION MODERATED BY

Nancy H. Yeide, National Gallery of Art
Laurie Stein, Smithsonian Institution

4:15 – 4:30 CONCLUDING REMARKS

Lynn H. Nicholas, Independent Scholar

The seminar is sponsored by the United States National Archives, the Association of Art Museum Directors, the American Association of Museums and the Smithsonian Institution, with additional support provided by The Samuel H. Kress Foundation and James P. Hayes.